CANON 11,5-138
The ultimate s16 “all-day, all-night” lens, the Canon 11.5-138 is the long-nosed sister to the venerable Canon 8-64. Coming half a generation later, the 11.5-138 picks up where the 8-64 left off: an extremely well crafted lens with the ability to go from semi-wide to telephoto with the snap of a zoom stick. Like the 8-64, this lens’ ability to stop down to completely closed means that a shot can be saved from a quick change in lighting or what happens from time to time: someone forgot the rest of the ND set in the van and the shot is going, going, gone. Event videographers and remote location shooters love this lens. If you’re on a fast-paced shoot that demands everything from a in situ interview to grabbing a shot of the dais, this lens makes the difference.
The ultimate s16 “all-day, all-night” lens, the Canon 11.5-138 is the long-nosed sister to the venerable Canon 8-64. Coming half a generation later, the 11.5-138 picks up where the 8-64 left off: an extremely well crafted lens with the ability to go from semi-wide to telephoto with the snap of a zoom stick. Like the 8-64, this lens’ ability to stop down to completely closed means that a shot can be saved from a quick change in lighting or what happens from time to time: someone forgot the rest of the ND set in the van and the shot is going, going, gone. Event videographers and remote location shooters love this lens. If you’re on a fast-paced shoot that demands everything from a in situ interview to grabbing a shot of the dais, this lens makes the difference.
The ultimate s16 “all-day, all-night” lens, the Canon 11.5-138 is the long-nosed sister to the venerable Canon 8-64. Coming half a generation later, the 11.5-138 picks up where the 8-64 left off: an extremely well crafted lens with the ability to go from semi-wide to telephoto with the snap of a zoom stick. Like the 8-64, this lens’ ability to stop down to completely closed means that a shot can be saved from a quick change in lighting or what happens from time to time: someone forgot the rest of the ND set in the van and the shot is going, going, gone. Event videographers and remote location shooters love this lens. If you’re on a fast-paced shoot that demands everything from a in situ interview to grabbing a shot of the dais, this lens makes the difference.