COOKE 10-30
This is one of the only Super Speed zoom lenses in the world. It's small and light enough for handheld work. It has excellent close-focus, and really well-controlled focus breathing. It will deliver beautiful lens flares, and it's as sharp as a primes lens, even at T1.6, which is unheard of for a zoom. In Super-16, 10-30mm is the equivalent field of view of 20-60mm in Super-35. So you have a lens that gives you the most commonly used focal lengths at T1.6 in a relatively small package. The Cooke 10-30mm T1.6 has much of the same optical DNA of the legendary Cooke 20-60mm T3.1, but its redesigned rear optical group shrinks the image circle down to Super 16 format, and improves the max T-stop to an impressive T1.6. What that means is that you get the same field of view, depth of field, quality, and flares of the Cooke 20-60mm, but for the super 16 format. Ed Lachman used his own personal Cooke 10-30mm T1.6 along with his personal set of Cooke Speed Panchros to shoot much of the film CAROL.
This is one of the only Super Speed zoom lenses in the world. It's small and light enough for handheld work. It has excellent close-focus, and really well-controlled focus breathing. It will deliver beautiful lens flares, and it's as sharp as a primes lens, even at T1.6, which is unheard of for a zoom. In Super-16, 10-30mm is the equivalent field of view of 20-60mm in Super-35. So you have a lens that gives you the most commonly used focal lengths at T1.6 in a relatively small package. The Cooke 10-30mm T1.6 has much of the same optical DNA of the legendary Cooke 20-60mm T3.1, but its redesigned rear optical group shrinks the image circle down to Super 16 format, and improves the max T-stop to an impressive T1.6. What that means is that you get the same field of view, depth of field, quality, and flares of the Cooke 20-60mm, but for the super 16 format. Ed Lachman used his own personal Cooke 10-30mm T1.6 along with his personal set of Cooke Speed Panchros to shoot much of the film CAROL.
This is one of the only Super Speed zoom lenses in the world. It's small and light enough for handheld work. It has excellent close-focus, and really well-controlled focus breathing. It will deliver beautiful lens flares, and it's as sharp as a primes lens, even at T1.6, which is unheard of for a zoom. In Super-16, 10-30mm is the equivalent field of view of 20-60mm in Super-35. So you have a lens that gives you the most commonly used focal lengths at T1.6 in a relatively small package. The Cooke 10-30mm T1.6 has much of the same optical DNA of the legendary Cooke 20-60mm T3.1, but its redesigned rear optical group shrinks the image circle down to Super 16 format, and improves the max T-stop to an impressive T1.6. What that means is that you get the same field of view, depth of field, quality, and flares of the Cooke 20-60mm, but for the super 16 format. Ed Lachman used his own personal Cooke 10-30mm T1.6 along with his personal set of Cooke Speed Panchros to shoot much of the film CAROL.