O'CONNOR 2560
OConnor introduces the 2575’s baby brother… the 2560.
Perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. Cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research, RED) in ‘maxed out’ studio configuration.
OConnor Ultimate heads have been used on almost every Hollywood movie feature and episodic TV Drama since the early 1990’s and OConnor heads in general have been heavily utilised in the industry since 1949.
OConnor introduces the 2575’s baby brother… the 2560.
Perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. Cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research, RED) in ‘maxed out’ studio configuration.
OConnor Ultimate heads have been used on almost every Hollywood movie feature and episodic TV Drama since the early 1990’s and OConnor heads in general have been heavily utilised in the industry since 1949.
OConnor introduces the 2575’s baby brother… the 2560.
Perfectly suited to the adaptable, a la carte configurations of accessorised digital cinematography. Cameras such as the Alexa in portable configuration or any lightweight digital cinema camera (from Sony, Canon, ARRI, AJA, JVC, Panasonic, Vision Research, RED) in ‘maxed out’ studio configuration.
OConnor Ultimate heads have been used on almost every Hollywood movie feature and episodic TV Drama since the early 1990’s and OConnor heads in general have been heavily utilised in the industry since 1949.